The ink-wash battle prototype from the Three Kingdoms game I am building in Godot, compiled to run in your browser. Start it in English or Chinese, pick a scene and a hero, then press T to take over from the AI.
About 12 MB. Needs a keyboard and a browser with WebGL 2.
About 12 MB. Needs a keyboard and a browser with WebGL 2.
Each one carries a personal 絕技 into all three scenes.
The same keys in every scene, matching the menu in the game's corner, in either language. The AI fights until you press T.
Signature moves, sieges and horses all run on the same simulation, so a hero's weapon, 絕技 and horse behave the same everywhere.
A practice field where Spirit 氣勢 refills on its own. Each hero's 絕技 is a record in data: a move from their weapon family, with its own shape, tempo and ink. Guan Yu and Lü Bu also have hand-keyed unique moves, and enemy officers cast theirs with a cut-in, so you can see it coming.
Break the gate or take the wall before dark, or press G and hold the city instead. Ladders, a ram, arrow volleys and fighting along the wall walk.
An open-field fight where a horse is simply part of a unit's state. Ride in, dismount, call your horse back, couch the lance for a charge, and hold your line when the 虎豹騎 cavalry come at it.
A visual spike from the game's repository. The question was whether figures built entirely in code could reach an ink-wash look in Godot. Each soldier is assembled from a recipe of a few hundred bytes, every pose is keyed by hand, and the combat numbers are placeholders.
Godot 4.6 exports to WebAssembly and WebGL 2. Matching the desktop look took three fixes: WebGL writes shader color without sRGB encoding, reads depth without reversed Z, and stores per-instance data as half floats, which had broken the packed leg data that moves the robes.
Design and direction by Hank Chen, built with AI coding agents (Claude Code, Codex and Cursor) under that design and review. Portraits were made with diffusion models. Chinese type is Noto Serif TC, under the SIL Open Font License.